|Cover Design: Ott + Stein, Berlin; Scan: Christine Berkenhoff|
Indeed, the logic of the sound material comes up repeatedly in Kosk's notes on his works, of the coherence and stringency of musical forms. But this suggests neither the teleological form of redemptive classical provenance, nor is he concerned with the aesthetics of consistency and integrity of the early avant-garde.
Instead, Kosk looks for relationships of tension that do not resolve; he creates antitheses that refuse a synthesis. Kosk's logic is one of fragmentation and unpredictability.
Total time: 75' 27''